@article {viscomi_digital_2002,
	title = {Digital Facsimiles: Reading the William Blake Archive},
	journal = {Computers and the Humanities},
	volume = {36},
	number = {1},
	year = {2002},
	note = {00020},
	pages = {27{\textendash}48},
	abstract = {In this article Joseph Viscomi critically address the issues presented with digital transcription and digital facsimile specific to the case of unique Romantic poet/illustrator William Blake. The failures to capture the physical qualities of  Blake{\textquoteright}s text in modern print led to the creation of the Blake Archive in 1993. Overall, the Archive responds to all of the needs of such a varied body of work. The Blake Archive{\textquoteright}s attention to technological innovation and consistent privileging of the original work make it the "first place to stop when studying Blake." The Archive continues to strive to be a "pacesetting instance of a fundamental shift in the ideas of {\textquoteright}archive,{\textquoteright} {\textquoteright}catalogue,{\textquoteright} and {\textquoteright}edition{\textquoteright} as both processes and products."},
	issn = {0010-4817},
	url = {http://www.jstor.org/stable/30204695},
	author = {Viscomi, Joseph}
}