@article {drucker_graphical_2006,
	title = {Graphical Readings and the Visual Aesthetics of Textuality},
	journal = {Text},
	volume = {16},
	year = {2006},
	note = {00011},
	pages = {267{\textendash}276},
	abstract = {Drucker begins by illustrating how literary critics often diminish the value of visual aesthetics in favour of the "substance" of textuality. However, Drucker argues that it is critical to understand that layout, colour, typeface, and other visual markers help to convey meaning. Drucker{\textquoteright}s aim is to "propose an understanding of all graphical elements as dynamic entities." Drucker suggests that "the specific properties of evidence and obvious graphical elements, though frequently unnoticed, are an important part of semantic meaning production." In order to illustrate this, Drucker takes up the examples of William Morris{\textquoteright} Kelmscott Chaucer and Stephane Mallarme{\textquoteright}s Un Coup de Des as evidences to the interpretative significance of the presence, or absence, of graphics. },
	issn = {0736-3974},
	url = {http://www.jstor.org/stable/30227973},
	author = {Drucker, Johanna}
}